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Girls Can't Make Gun Noises

by Flyscreen

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1.
Choppersquad 01:56
We got in as dad freaked out ‘Where’ve yuh been, yuh Mum’s been worried sick for hours?’ No flash trainers, crisps or Pacers We cruised the streets until our legs weren’t ours We rode our bikes through building sites ‘Round traffic cones and traffic lights When Richard Jones got fleas and lice And couldn’t come out I do nothing, I do nothing I do nothing, I do nought I do nothing… We went faster, way passed Asda We stopped to throw some bricks in the canal Hong Kong Phooey, on at two, we, Rode like loons, I hit a stone and fell We were cops in choppersquads The wrinklies called us little sods We kicked their cats and Yorkie dogs And kicked their front doors I do nothing, I do nothing I do nothing, I do nought I do nothing now
2.
Babysham 03:19
Waking up upon a paper-chain Wipe the footprints from my face Play a tape of independence A chrome cassette of old new wave A denim waistcoat drapes a veteran The text on exile street’s a bore Mascara dogface shakes her collar Her boyfriend’s ego hits the floor And fashion changes with the changes I lose my friends because they know what they want I read a book with proper language Then try to understand the words I buy a vision from some bloke for eight quid fifty And watch the action from the shirt It’s pitiful but there’s no pity I see their head shake but I see no hand shake And fashion changes with the changes I lose my friends because they know what they want too And I feel so vulnerable, oh, oh I feel so vulnerable
3.
C’mon Tracy, we’ll be late for school ‘One more drag’ she says, we’ll be there soon Heather covers up her love bite scars As David Bowie brought them Life on Mars Shang, shang-alang, shang-alang Biffbambalam, Drambuie, bang Shang, shang-alang, shang-alang Biffbambalam, Drambuie, bang Fun Boy 3 are in at 22 Skiving off, it’s Tuesday afternoon Maths is crap as Tracy paints her nails Cheap sixteen, but least she’s getting laid Shang, shang-alang, shang-alang Biffbambalam, Drambuie, bang Shang, shang-alang, shang-alang Biffbambalam, Drambuie, bang Coronation Street is on the box False ID and covered over spots Fags and booze, but never CSEs As Trace gets wet in someone’s Ford Capri Shang, shang-alang, shang-alang Biffbambalam, Drambuie, bang Shang, shang-alang, shang-alang Biffbambalam, Drambuie, bang
4.
Suits made from cloth that the world just forgot to get burnt Praise high O mighty from drinks from the workingman’s church Trained to believe that when fishing, naive will get caught Do what you want are the words from a man without cause But you can go down, free Does what he can, and he can what he does just for free Reads out his mail with a tongue that’s impaled to the floor A sister in Bromley, she writes very strongly for sure But you can go down, free Does what he can, and he can what he does just for free Opens his hat, to a friend in a flat, just below Polo necks, weaker sex, strapped to the legs he can’t hold Fresh outta tea, in a bid to break free from his home Unpaid debts, space cadets, put out for sale and then sold Now roll over, now roll over like a dog Like a dog Now roll over, now roll over like a dog Like a dog, like a dog
5.
(Scratch the point that seems to bleed the most) Time flies, don’t relax and don’t Feeling tame, going down go Feeling down, go far and don’t Feel numb, time is safely owned Go on, feel instinctive tones I love myself, I I need myself, I I love myself, I Love myself, I I feel myself, I Love myself, I Need myself, I What I? (Scratch the point that seems to bleed the most) Peak alone, you don’t phone This contains, cat tones You can fail, nil’s a state, I don’t
6.
Who’s the one to be the first one Throw away the plasticine A juxtapose in girl salvation Like water rats on Savile Row I’m going down, no girls aloud I’m six feet, now, no girls aloud Here comes a crowd, get pushed about No girls aloud, no girls aloud Damn and blast, a worried mother Accusing me of self arouse A damsel shrieks and breaks another Who’s fuckin’ wild? Just like Sonny Jim I’m going down, no girls aloud I’m six feet, now, no girls aloud Here comes a crowd, get pushed about No girls aloud, no girls aloud Who’s going down? No girls aloud I’m six feet now, no girls aloud Here comes a crowd, get pushed about No girls aloud, no girls aloud
7.
Sticklebricks that do not stick Writing off so Jim’ll fix Tin sheeting roof, the bestest den When the world as run by Lego men My old man had dirty books We nicked a few then we got hooked Hippy chicks with hippy hair With platform shoes and corduroyed flairs I could not stand up straight all the time When I had made-up mates all in lines And I know why I can’t get a life A checkout girl buys drinks for Dave An hourly rate times eight-a-day A bar gets full of bellied men The world they see via News At Ten I cannot stand up straight, when in line Now I have plastic mates all with tans Now I know why I can’t get a life All the time, all the time, all the time Sticklebricks that do not stick Writing off so Jim’ll fix Tin sheeting roof, the bestest den When the world was run by Lego men
8.
Red and mellow from gasoline A day in vulgar with drama queen Where were you when JFK died? Nothing wrong with being tongue-tied Stay in check with being someone else It’s so easy you know? It goes jet black and then it don’t It’s so easy you know? And it shows Polite and paid for in daddy’s skirt A discount milk chair it’s hands in dirt How are you when JFK died? What is wrong with being tongue-tied Lose yuhself with being someone else It’s so easy you know? It goes jet black and then it don’t It’s so easy you know? And it shows It’s so easy you know? It goes jet black and then it don’t It’s so easy you know? And it shows
9.
Fate prosed in, laced in green I fell down and everyone was looking God, you preached, a sixth form peach Full of speak, and every time we stopped to talk Your voice would carry on… And you weren’t wrong, you weren’t right You strung everyone along like Jesus Christ And when I came to look, Then each time that I did I’d bruise my pride I was wrong of course, so right of course, so right of course And nothing ever changes, c’mon, nothing ever does Books were read on a well used bed Minds well fed, as you were understanding You blamed me, as I blamed me, just why me? As all the World around was gone And I was here to say that… And you weren’t wrong, you weren’t right You strung everyone along like Jesus Christ And when I came to look, Then each time that I did I’d bruise my pride I was wrong of course, so right of course, so right of course And nothing ever changes, c’mon, nothing ever does And you weren’t wrong, you weren’t right You strung everyone along like Jesus Christ And when I came to look, Then each time that I did I’d bruise my pride And nothing ever changes, c’mon, nothing ever does Fate prosed out, laced in green I fell down and everyone was looking
10.
Snowbunny 02:11
You look like death and feel like grass The yellow smile of working class Porn liquorish babe, soft pussy cat Speed wizzy-wiz won’t make you fat I spike your shake and trade your thoughts Leopards and tigers, funny sorts It makes me laugh, it’s so funny I laugh out loud at Snowbunny It started off with drinks and jokes And encored on with lines of coke We jumped around our tails wagged fast To beats of SLF, now I say… I spike your shake and trade your thoughts Leopards and tigers, funny sorts It makes me laugh, it’s so funny I laugh out loud at Snowbunny A human girl spills what we drink Five cloudy cocktails, warm and pink We jumped around, our shoes don’t shine We’ve wasted precious time, now I say… I spike your shake and trade your thoughts Leopards and tigers, funny sorts It makes me laugh, it’s so funny I laugh out loud at Snowbunny I laugh out loud at Snowbunny I laugh out loud at Snowbunny I laugh out loud at Snowbunny I laugh out loud
11.
Why, anyway? Don’t, come what may Pick me up like a silver cup Like a moon without a name Pull me down, cos you know you can Cos you know you can’t erase Start me up and start again We, we don’t know, why, even though Pick you up like a silver cup Like a moon without a face Put you down, cos I know I can And you know you can’t erase Start me up to start a...… I can’t deal with it My mind, my breath, my hands my fist Shut up, get up, get on with it I love myself, I need myself Shut up, get up, get on with it I love myself, I need myself Shut up, get up, get on with it I love myself like SallyAnn Pink Like SallyAnn Pink Like SallyAnn Like SallyAnn Pink We, we don’t know, why, even though Pick me up like a silver cup Like a moon without a name Pull me down, cos I know I can And you know you can’t erase Start me up to start again
12.
14 5ft 4 05:02
Dandelion and burdock, the stains on raspberry wrists The pale opaque takes insects lips to kiss Pretty on the inside, a smell that’s close to sweet Jackknifed in the grass, cut indiscreet And it goes, and it goes… A wetness that’s around me, is warm and comfort filled Beneath my palms a portrait I have built The cotton ripped like paper, a memory once before Mother’s girl’s now open, bruised and torn And it goes, and it goes… And it goes, and it goes… Now stop looking at me, like I think so Now who’s looking at me? Do I think so? Why, I, looking at me, why I think so Why? Shy? Looking at me, like I think so Like I think so Like I think so And it goes…(repeat)… Straight, it goes straight She loves my fingers, my tales, my hands She loves the way I walk, the way I walk Oh, she’s so… Lips of red, eyes so… It’s one for me and one for you…
13.

about

© 2021 This Could Prove Fatal / Flyscreen Music

Originally released in 1998, 'Girls Can't Make Gun Noises' has been remastered and available for the first time as digital release.

credits

released December 13, 2021

Produced by Mark Wallis.

Strings arranged and conducted by Ed Shearmur.
Strings performed by The London Metropolitan Orchestra.
Additional musicians:
Derek Fudge, oragn on ‘SallyAnn Pink’.
Ed Shearmur, chamberlain on ‘Babysham’.
Rob Kelly, cello on ‘Last Night At The Proms’.

Engineered by Derek Fudge, assisted by Rob Kelly and Stuart Campbell.
Recorded at Jacobs Studio, Surrey.
Mixing and additional recording at Matrix Studios, London,
Maison Rouge, London and Whitfield Street Studios, London,
assisted by Lloyd Gardiner and Neil Keily.
Strings recorded at The Angel, Islington, London,
engineered by Gary Thomas, assisted by Danny Brown.

Mixed by Mark Wallis except ‘Babysham’ by Dave Bascombe.
Originally mastered by Geoff Pesche at Townhouse, London.

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